'We Were the First Punks': The Ladies Rebuilding Community Music Hubs Throughout Britain.

If you inquire about the most punk act she's ever accomplished, Cathy Loughead responds instantly: “I took the stage with my neck fractured in two spots. Unable to bounce, so I decorated the brace instead. That was an amazing performance.”

Cathy is a member of a expanding wave of women reinventing punk culture. As a recent television drama spotlighting female punk premieres this Sunday, it reflects a scene already thriving well outside the television.

The Leicester Catalyst

This energy is most intense in Leicester, where a local endeavor – presently named the Riotous Collective – lit the fuse. Cathy participated from the start.

“When we started, there existed zero all-women garage punk bands here. Within a year, there seven emerged. Now there are 20 – and increasing,” she explained. “There are Riotous groups across the UK and worldwide, from Finland to Australia, producing music, playing shows, taking part in festivals.”

This surge isn't limited to Leicester. Throughout Britain, women are repossessing punk – and altering the landscape of live music along the way.

Rejuvenating Performance Spaces

“There are music venues around the United Kingdom flourishing because of women punk bands,” she added. “The same goes for practice spaces, music education and guidance, production spaces. The reason is women are in all these roles now.”

Additionally, they are altering the audience composition. “Women-led bands are gigging regularly. They draw wider audience variety – attendees who consider these spaces as safe, as for them,” she remarked.

A Rebellion-Driven Phenomenon

A program director, involved in music education, stated the growth was expected. “Females have been promised a dream of equality. However, violence against women is at crisis proportions, the far right are manipulating women to peddle hate, and we're manipulated over issues like the menopause. Females are pushing back – through music.”

Toni Coe-Brooker, from the Music Venue Trust, observes the trend transforming local music scenes. “We're seeing varied punk movements and they're integrating with local music ecosystems, with independent spaces scheduling diverse lineups and establishing protected, friendlier places.”

Gaining Wider Recognition

Later this month, Leicester will stage the inaugural Riot Fest, a weekend festival including 25 women-led acts from the UK and Europe. In September, a London festival in London celebrated BIPOC punk artists.

And the scene is entering popular culture. A leading pair are on their debut nationwide tour. The Lambrini Girls's initial release, Who Let the Dogs Out, reached number sixteen in the UK charts recently.

A Welsh band were shortlisted for the 2025 Welsh Music Prize. Problem Patterns secured a regional music award in 2024. A band from Hull Wench appeared at a major event at Reading Festival.

This is a wave originating from defiance. Within a sector still plagued by misogyny – where female-only bands remain less visible and live venues are facing widespread closures – women-led punk groups are creating something radical: a platform.

Timeless Punk

Now 79 years old, Viv Peto is testament that punk has no seniority barrier. The Oxford-based musician in horMones punk band started playing only twelve months back.

“Now I'm old, restrictions have vanished and I can do what I like,” she said. A track she recently wrote features the refrain: “So yell, ‘Forget it’/ Now is my chance!/ The stage is mine!/ I'm 79 / And in my top form.”

“I love this surge of older female punks,” she commented. “I didn't get to rebel during my early years, so I'm making up for it now. It's fantastic.”

Kala Subbuswamy from the Marlinas also mentioned she was prevented to rebel as a teenager. “It's been important to finally express myself at this point in life.”

A performer, who has traveled internationally with multiple groups, also considers it a release. “It involves expelling anger: feeling unseen as a parent, as a senior female.”

The Liberation of Performance

That same frustration led Dina Gajjar to form Burnt Sugar. “Standing on stage is a release you never realized you required. Females are instructed to be acquiescent. Punk isn't. It's raucous, it's imperfect. As a result, when bad things happen, I say to myself: ‘I can compose a track about it!’”

Yet, Abi Masih, drummer for the Flea Bagz, remarked the punk lady is all women: “We are simply regular, professional, amazing ladies who enjoy subverting stereotypes,” she said.

A band member, of the Folkestone band She-Bite, concurred. “Women were the original punks. We had to smash things up to get noticed. This persists today! That fierceness is part of us – it seems timeless, elemental. We are amazing!” she exclaimed.

Breaking Molds

Some acts match the typical image. Two musicians, from a particular group, aim to surprise audiences.

“We avoid discussing the menopause or use profanity often,” noted Julie. O'Malley cut in: “However, we feature a small rebellious part in all our music.” Julie chuckled: “You're right. However, we prefer variety. The latest piece was on the topic of underwear irritation.”

Brian Ferrell
Brian Ferrell

A passionate travel writer and historian with a deep love for Venetian culture and hidden island treasures.